Residencies2026-06-30T08:49:41-07:00

Pine Meadow Ranch Center for Arts & Agriculture

Residencies

PMRCAA Residency Program

Artists, ecological scientists, and scholars wanting to explore connections to nature, land conservation, historic preservation, agriculture and community building projects are invited to Pine Meadow Ranch Center for Arts & Agriculture in Sisters, Oregon.

About the Residency Program

Our vision at Pine Meadow Ranch Center for Arts & Agriculture (PMRCAA) is to connect sustainable agricultural practices, conservation, arts and sciences with traditional and contemporary crafts and skills integral to ranching life including: metal, glass, wood and leather work, ceramics, fibers and textiles, writing, painting and drawing, photography, film and music.

Efforts consist of offering a space where cultural practitioners, ecological scientists and creative thinkers can immerse themselves in their work and/or research through access to studios, open space, and beautiful scenery, working alongside PMRCAA staff, volunteers and community members to preserve the natural biosphere and historic buildings of the ranch for years to come.

At PMRCAA, we strive to bring together individuals from diverse backgrounds and cultures to find creative solutions to unique challenges. We hope to serve as a platform that fosters the exchange of knowledge between creative people from in- and outside of Central Oregon.

Residents are asked to contribute to the ranch or the local community by helping around the ranch and/or by presenting a workshop or artist’s talk in the community. At the same time, residents are given time and space for their own artistic practice.

Program Overview

Pine Meadow Ranch Center for Arts and Agriculture (PMRCAA) offers two-week and four-week residencies from March to mid-November. A residency cohort consists of two to four residents who share a large, historic home on the ranch property while each resident is assigned their own private studio. 

Since 2018, the program has been supporting artists, scientists, writers and researchers from a variety of fields and with a range of experience levels. Applicants working on mediums such as painting, ceramics/pottery, printmaking, book arts, sculpture, fiber arts, mixed media, digital media, photography (digital), installation art, music and performance arts, writing, interdisciplinary work and any scientific and creative research are encouraged to apply.

2027 Residency: Application Opens May 1st

2027 Theme: Process and Material

Pine Meadow Ranch Center for Arts and Agriculture provides space, time, and resources for writers, visual artists, and those incorporating agricultural components into their research to apply for a two- or four-week residency. 

Process and Material, invites artists and scientists to investigate the fundamentals of their practice on a working Ranch in Central Oregon. Whether working with substances drawn from the earth or found objects, all materials hold memory and meaning as the methods of the practitioner work to unfold their potential. In 2027, we encourage artists, conservationists, and scholars to think deeply about their own processes and materials, how they inform the works they create, and to explore new and imaginative opportunities.

We ask that the time spent here at PMRCAA be dedicated to learning, crafting, and experimenting; and includes engaging with our curious and active community in Central Oregon. We welcome work across disciplines and mediums, including ceramics, photography, textiles, arborology, and beyond.

Application Timeline

  • May 1 – Application opens on Slideroom
  • May 15 at 11:00 a.m. PST – Virtual info session via Zoom. Watch the recording here!
  • July 6 at midnight. PST – Application Closes
  • August 12 – 14 – Finalist interviews
  • August 24 – Reference responses due
  • September – Residency decisions announced

References

If you are a finalist, PMRCAA will contact 2 references, please place their contact information in the application.

Please consider the following for references:

  • At least one from within your discipline area.
  • If applicable, one from a former residency.
  • One who can evaluate your ability to live and work collaboratively in a positive, community setting.

More information for the reference submissions will be provided after the finalist interviews.

Application deadline: Monday, July 6th , 2026 at Midnight, PST

Our Residency applications are accepted through the Slideroom portal. All applicants are required to create a username and password in order to complete the application. For helpful information on starting your application process, please visit Slideroom’s help page linked here.

If you have trouble accessing Slideroom or need additional support, please contact us.

Before you apply, we encourage you to look at PMRCAA’s goals and history, as well as The Roundhouse Foundation’s Mission and Vision. PMRCAA foregrounds its identity in a strong sense of place and community, and encourages residents to actively engage with the local talent in an exchange of ideas and knowledge.

Residency Program Details2026-06-17T10:10:53-07:00

Eligibility

PMRCAA fosters the creative, intellectual and personal growth for emerging artists and scientists, as well as those who are more established in their career. There are no specific educational qualifications for entry into the program.

Residencies are awarded competitively, at no cost, to those who have submitted the proposal that best meets the evaluation criteria by the application deadline. Evaluation criteria include (in no particular order): quality of work, community engagement, connection to the ranch setting and relevance to the theme. Applications are evaluated by panels of external reviewers, who are established and working in fields or practices associated with PMRCAA’s mission.

Applicants must address, in the application, their ability to be self-directed in their work and have to present a history of focused work within the discipline for which they are applying.

If Applicants are applying as a collaboration, they should submit one, single application for their time here and include the names and details of each person in the collaboration group. Work space needs should be clearly specified (i.e. whether or not separate studios are required).

PMRCAA can only consider application materials from US-based applicants.

PMRCAA Resident Alumni: Alumni can apply for a residency at PMRCAA every two years.

COVID-19 Vaccination: We are requiring all residents be fully vaccinated for COVID-19 if accepted to participate in PMRCAA’s program. If you have a medical exemption, please reach out to PMRCAA staff upon applying so we can further discuss your safety and options. All accepted residents will be asked to share proof of vaccination and negative COVID test prior to arrival.

PMRCAA actively seeks applicants from all backgrounds, and does not discriminate on the basis of race, creed, color, religion, national origin, sex, age, sexual orientation, marital status, ancestry, disability, HIV status, or veteran status.

Ranch Setting

PMRCAA shares a boundary with the city of Sisters, a beautiful small town with an active arts community. It is 20 miles from Redmond (the location of the airport) and 20 miles from Bend (Central Oregon’s largest city). The Ranch is a working 260-acre historical property currently running cattle, sheep and chickens. Residents walk or bicycle easily into town to enjoy its galleries, restaurants and shops.

During each residency period, there will be two to four residents on site. Collaboration and exchange of ideas among residents and community members is encouraged.

Residents are given 24-hour access to all facilities and the time and space to create. All residents have access to the common spaces within the Hammond House and designated studios. Residents are responsible for their studio’s up-keep and general maintenance.

The ranch is engaged with several environmental and ecological projects, including regenerative agricultural work, organic gardening and a cut flower operation. In order to maintain the beauty and safe environment of Pine Meadow Ranch, there are safety guidelines that applicants need to understand and agree to if selected.

Ranch Safety Guidelines

Ranch Equipment: Permission must be given for the use of any ranch tools, equipment or materials. A safety check is required in order for a resident to use any power tools. All tools need to be returned to the Ranch Shop at the end of its use. Farm equipment (tractors, trailers, ATVs, etc.) are NOT available for residents to use at any time

Pets: Pets are not allowed on the ranch property.

Livestock and Pastures: For everyone’s safety, petting and feeding the livestock is not allowed. Pastures are off limits unless a resident is given express permission by a PMRCAA staff member.

Smoking and Vaping: PMRCAA is a smoke and vape-free facility.

Privacy and security: Overnight guests are not allowed. Residents are provided with a gate code which is not to be shared unless given permission by a PMRCAA staff member. Day time guests and visitors can be accommodated with 24-hour notice of visits. Please coordinate guest visits with staff.

Community Engagement

At PMRCAA, our work is grounded in a strong sense of place and community. As such, we are always looking for opportunities to connect participating residents with our local community. We invite residents to make a meaningful connection to the larger community as part of their residency. The formats for the community engagement activity might vary from an interpersonal encounter with members of the local community (one-on-one meetings) or each resident can apply to teach a workshop or plan an Artist Talk/Lecture. If you are interested in leading a workshop or lecture while you are in residence, please submit an application through our online form: (Coming Soon).

To learn more about the different community engagement opportunities we offer, click here. For examples of previous community engagement events, read resident stories on our blog.

Please note:

  • For each cohort (2 weeks and 4 weeks), we host an  – Studio Tour where the general public is invited to engage with the artists and learn more about their practice and what they have done during their time at the Ranch. Because community engagement is such a fundamental element of our programming we ask residents to participate in this event.
  • We are unable to accommodate all residents with teaching opportunities. If teaching (or any proposed community engagement) is crucial to your time in residency, please be sure to indicate why in the application.

Facilities & Services

Housing: Private room with a shared or private bathroom, kitchen, dining and laundry area.

Meals: Occasional meals might be provided and the pantry is stocked with essential items and ingredients.

Studio Spaces:

The nine studio spaces have been adapted for different mediums. The PMRCAA staff assigns one of these studios to each resident, depending upon their practice. Most studios are rustic, converted ranch buildings, with two using wood stoves for heat. One studio, Studio 6000, is an off-site printmaking workspace a mile and a half from the ranch. Below is the list and brief description of each on-site studio space. Click here to download a PDF document with studio measurements and specifications.

  • Tent Cabin: Located next to Whychus Creek, this unique cabin has three walls constructed of a heavy-duty tarpaulin, similar to those of a yurt. This inspirational space is ideal for dry mediums, unless working outdoors.
  • Dairy Barn: (Not available for 2027) This big structure has been outfitted with a stage, curtains and great acoustics from its former days as a music venue. This space is ideal for performance artists or creators in need of tall ceilings and a large space. Bear in mind this space is located upstairs with no elevator access.
  • Kiln Room: This studio retains the architecture from its former days as a dairy. The cow stanchions remain as a testament to this usage. The Kiln Room, home to PMRCAA’s kiln, is a studio space as well as a shared workspace for ceramicists. Ideal for wet and messy mediums.
  • Pickle Room: Located next to the Kiln Room, the Pickle Studio features large big windows that offer a lot of natural light. Potable water is available only in large thermos containers. Non-potable water is available when there is little threat of freezing. Heat is provided with an electric heater. This cozy space was the historic milk parlor and it is ideal for ceramicists and other wet mediums.
  • Old Shop: Situated in the center of PMRCAA property, this renovated structure features tall ceilings, a lot of natural light and rustic wall and ceiling fixtures. This space is ideal for wet and messy mediums.
  • Tack Room: Formerly housing horse care equipment, this renovated private studio now offers a peaceful place where fiber and dry medium artists can focus on their craft. There is no access to running water in this space.
  • Hammond House Downstairs Studio: Located in the Hammond House, the Downstairs Studio offers access to your creative space without having to step outside. As the studio is situated in the communal living space, artists working in this space will be asked to respect quiet hours. This studio is ideal for quiet, dry mediums.
  • Hammond House Upstairs Studio: Located on the second floor of Hammond House, this space offers wrap-around views of Whychus Creek, mountains peaks and acres of fields and forests. This studio has a private outdoor entrance, but it is also connected to one of the bedrooms at the Hammond House. If there is an occupant of this adjacent bedroom that studio space will be assigned to that resident. Because the studio is situated in the communal living space, artists working in this space will be asked to respect communal quiet hours.
  • Cooper’s Penthouse: Communal space containing a flatbed scanner, inkjet printer, GlowForge laser cutter, self healing cutting mats, straight edges for those working with dry, clean materials. This studio is open to all residents and available to use by appointment during business hours. Small amounts of photo paper, acrylic and plywood are available for purchase but we encourage residents to supply their own.

Technology: Wi-Fi is available throughout the Hammond House, Headquarters and in select studios. There is no television in the home.

Accessibility: Unfortunately, due to the historic nature of the property, PMRCAA is not ADA accessible. Walking paths link the studios to Hammond House and Hammond House is not an ADA accessible building.

Residency & Application Fees

There are no residency or applications fees.

Stipend

Stipends are provided to offset living and travel expenses for out-of-town residents. Residents are expected to commit themselves for the entire residency session with the stipend being $200 per week.

Travel Reimbursement

Requests for a travel reimbursement are available for qualifying residents who are outside a 1,000 miles, one-way, radius of PMRCAA and travel to the site. The requested reimbursement limit is $300. Reimbursements will be paid upon completion of residency and will be based on your address at the time of the awarded residency. There are a limited number of reimbursements available for residents. The request will be considered by The Roundhouse Foundation Trustees and may only be used during the resident’s residency dates.

Residency Application Technical Resources2026-04-21T13:56:16-07:00

Common Technical Issues and Solutions

Our Residency applications are only accepted through the Slideroom portal. All applicants are required to create a username and password in order to complete the application. For helpful information on starting your application process, please visit Slideroom’s help page linked here.

If you have trouble accessing Slideroom or need additional support, please contact us.

Helpful Tips:

  • Save your work as you go in case you need to walk away from your computer.
  • Review your materials before you submit your application.
  • Save your confirmation number/email.

When you enter a website or an email address in our application:

References: As a part of the application process, we do require 2 professional references. The application will ask for their contact information. 

Make sure there are no spaces before or after the email address.

If you were asked to be a reference and are running into issues: Contact us and we will be happy to help.

Character Limits: We appreciate brevity in your responses and have included length expectations for your response to each question. Please note this application uses character limits to measure the length of responses. The character limit includes spaces.

It may be helpful to consider the character limit in relation to a word and/or page count. The estimates below are based on a rough average of 6 characters per word:

  • 1,500 characters = 250 words or .5 page single-spaced
  • 500 characters = 80 words
  • 250 characters = 40 words
2026 Theme & Residents2026-02-04T09:57:23-08:00

2026 Residency Program Theme: Adaptation

All living things respond to a changing environment through adaptation, but what is the mysterious alchemy behind it? What catalysts lie within our world that spark individuals and whole species to adjust their characteristics? Adaptation is a demonstration of flexibility, openness and a desire not just to survive, but to thrive. Whether it takes milliseconds or millennia, a lifetime or generations, the process of adaptation holds infinite hope for the future. Join us in 2026, exploring the theme of Adaptation and all of its potential.

The 2026 residency participants are: 

Visual Artists

Christine Adame (She/Her) – Lake Dallas, TX

Christine Adame is an intermedia artist from Laredo, Texas. Her artwork is about heritage, informed by her mestiza identity. Her work resembles artifacts built from layered processes—including drawing, fibers, digital fabrication, book arts, and printmaking.

Jessica Aquino (She/They) – Brooklyn, NY

Jessica Elena Aquino is a multidisciplinary artist exploring migration, relationship to land, memory, and ancestral knowledge through weaving, printmaking, sculpture, and installation. A first-generation Mexican American, they transform found materials into abstract narratives of memory, identity, and belonging. Aquino is based in Brooklyn, NY

Han Cao (She/Her) – Dallas, TX

Han Cao is a self-taught fiber artist based in Dallas, TX. Using hand embroidery on vintage photographs and postcards, she reimagines lost narratives through thread. Influenced by her Vietnamese upbringing, her art explores memory, identity, and belonging.

Chidinma Dureke (She/Her) – Laurel, MD

Chidinma Dureke creates multi-layered, mixed media oil paintings and sculptural installations. She was born in Washington, DC to parents of Igbo descent and earned her MFA from The LeRoy E. Hoffberger School of Painting at the Maryland Institute College of Art in Baltimore, MD. Her work has been exhibited at The Peale Museum, Howard Community College, Yale University, and others. In 2025 her work was commissioned by Issa Rae and Denise Davis for the Sony Pictures film One of Them Days.

Nina Elder (She/Her) – Gardner, CO

Nina Elder is a visual artist, writer, and educator. Inspired by geologic disturbance and resilience, Nina interprets planetary dynamics in constellation with social issues and personal narratives. She travels extensively and lives off the grid in Colorado.

Artemis Herber (She/Her) – Owings Mills, MD

American-German artist, Artemis Herber has exhibited in the US, Germany, Greece, Italy, England, Portugal, and Spain. Enriched with incorporated geological materials that are rooted in ancient natural myths, her hybrid configurations transform deep time narratives into the volatile conditions of our shared world through human impact.

Lynette K. Henderson (She/Her) – Chatsworth, CA

Lynette K. Henderson is a multi-media artist exploring nature and the environment through painting, drawing, photography, and mixed-media sculpture. Rooted in a passion for the natural world, her experiences in the upper Midwest fostered a lasting fascination with wildlife. Now in Los Angeles, she works with multiple related themes on aesthetic and conceptual levels.

Christie Lower (She/Her) – Halfway, OR

Christie Lower is a self-taught fiber artist and educator based in Eastern Oregon where landscape and wildlife guide her creative practice. Using needle-felted wool, she creates sculptural wildlife pieces that explore memory, place, and our emotional connection to the natural world. Her work balances realism with quiet storytelling, inviting viewers to slow down and look more closely. Christie is also the founder of Rustic Fiber Academy, where she teaches needle felting to students worldwide.

Mita Mahato (She/Her) – Seattle, WA

Mita Mahato is an artist and poet whose work joins fragments of used and discarded materials in poetic experiments that dramatize ecosystemic survival against capitalism. Her books are Arctic Play (The 3rd Thing 2024) and In Between (Pleiades 2017) and her poetry comics can be found in PRISM, Ecotone, Iterant, Shenandoah, and other publications.

Simone Martin-Newberry (She/Her) – Los Angeles, CA

Simone Martin-Newberry is an illustrator and essayist who centers black and bodies of color within color-rich environments and histories. Her work has been commissioned and featured by The New York Times, Emergence Magazine, Chronicle Books, Waxwing Journal, and many others. Originally from Los Angeles, she currently works and lives on the road.

Liz Obert (She/Her) – Santa Fe, NM

Liz Obert is a lens-based artist with a BFA from the College of Santa Fe and an MFA from Washington State University. Her work has been exhibited nationally and internationally. Recently, she won the 1839 Award for Photographer of the Year in Still Life and received an honorable mention for Foto Slovo.

Julia Oldham (She/Her) – Eugene, OR

In her multi-channel video installations, Julia Oldham visualizes the uneasy collision of nature and technology in a fragile world. She creates immersive portraits of complex ecological systems through long-term, research-based examinations of natural landscapes and the human interventions that have shaped them.

Jessica Reisch (She/Her) – Brooklyn, NY

Jessica Reisch is a new media artist, designer, and educator from New York. Emphasizing rhizomatic networked connections, her soundscapes and immersive installations draw on the use of highly sensitive microphones and microscopes in conjunction with transducer speakers and projections to engage with the surrounding environment.

Emily Robison (She/Her) – Swannanoa, NC

Emily Robison is an award-winning spinner, knitter, and weaver living in Asheville, North Carolina. Her research and writing has been published in “Ply” and “Spin Off” magazines. Emily’s craft is shaped by place and cultural memory, grounded in the belief that we cannot move forward without fully understanding where we have been.

li rothrock (She/Her) – Phoenix, AZ

li rothrock investigates inheritance across diaspora and the generative capacities of invasive species using photo, video, and sculpture. Solo shows include long violence dreamt me west, Northlight Gallery, Phoenix, AZ (2025) and the shape of an absence, Eric Fischl Gallery, Phoenix, AZ (2024). She received her MFA at Arizona State University.

Vic Spindler-Fox (They/Them) – Pittsburgh, PA

Vic Spindler-Fox is a technologist & textile artist from East Tennessee, now making a home in the Rust Belt. They focus professionally on environmental field work, open-source software, and documentation. In their artistic life, they make reclaimed and mended textiles rooted in place, exploring mourning and memory, queerness, ghosts and failure.

Raty Syka (They/She) – Santa Cruz, CA

Raty Syka (UCSC Environmental Art & Social Practice MFA ‘24) is an interdisciplinary researcher, visual artist, and educator interested in the interface between human and more-than-human worlds. Using comics, illustration, and print media, Raty’s work engages broad public audiences around issues of climate change, agriculture, and sustainability.

Forest Woodward (He/Him) –Missoula, MT

My practice is rooted in the immersion and movement of body and mind through landscape. Using the book form, analog photographic practices, written word, and land-based installations, I work to explore questions around ideas of permanence, control, and human relationship to the ecosystems we inhabit.

Jingyi Yang (She/Her) – Jersey City, NJ

Jingyi Yang is a textile artist and fashion designer from Inner Mongolia, now based in New York. Her practice explores how threads can hold emotion, distance, and time, carrying traces of memory through material. She reimagines textiles as quiet spaces where material listens and remembers.

Writers

Dina Abdulhadi (She/They) – Brooklyn, NY

Dina Abdulhadi is a Palestinian writer and ex-scientist from the US South. A 2024-2025 Emerge-Surface-Be Fellow at The Poetry Project and Pushcart Prize nominee, her work has been published by Room, Reckoning, Breakwater Review, The Worcester Review, Brooklyn Poets, Mizna, and Haymarket Books.

River 瑩瑩 Dandelion (He/Him) — Staten Island, NY

River 瑩瑩 Dandelion is a visionary writer, healing practitioner, and facilitator. He writes to connect with the unseen and unspoken so we can feel and heal. Winner of the Lambda Literary Award for Exceptional New LGBTQ Writers, River is at work on his debut full-length poetry collection. The title poem won an AWP Kurt Brown Prize.

Vanessa Freije (She/Her) – Burien, WA

Vanessa Freije is a writer and an award-winning historian working across multiple genres. She is an associate professor of International Studies and History at the University of Washington and lives between Mexico City and Seattle. She’s currently working on her first novel.

K Ho (They/Them) – Minneapolis, MN

K Ho is a writer and photographer from Vancouver BC, unceded Coast Salish Territory. Their work has appeared in The Margins: Asian American Writers’ Workshop, The Canadian National Arts Centre, and elsewhere. A graduate of the U of Minnesota’s MFA, K has received support from MacDowell, Tin House, and others. They live in Minneapolis.

Donna Kaz (She/Her) – Blue Point, NY

Donna Kaz is a multi-genre writer, also known as the Guerrilla Girl, “Aphra Behn.” She is the author of “UN/MASKED, Memoirs of a Guerrilla Girl On Tour;” & “PUSH/PUSHBACK, 9 Steps to Make a Difference with Activism and Art.” Kaz has received the Venus Theatre’s Lifetime Achievement Award and the Yoko Ono Courage Award for the Arts.

Maxim Loskutoff (He/Him) – Missoula, MT

Maxim Loskutoff is the award-winning author of Old King, Ruthie Fear and Come West and See. His stories and essays have appeared in numerous periodicals, including the New York Times, Chicago Tribune, Ploughshares, and GQ. He lives in the Rocky Mountains of western Montana.

Beth Piatote (She/Her) – Berkeley, CA

Beth Piatote is a Nez Perce writer, playwright, and scholar. She is author of The Beadworkers: Stories (2019); distant water: poems (2026); and the play, Antíkoni, as well as a scholarly monograph and many other works. She is enrolled with Colville Confederated Tribes and she loves her Native language and homelands, her kids, her dog, and horses.

Jana Richman (She/Her) –  Escalante, UT

Jana Richman is the author of a collection of personal essays, a memoir, and two novels, but she would really like to be a poet. Born and raised in Utah’s west desert, Jana currently lives in the irascible small town of Escalante, Utah, surrounded by the magnificent Grand Staircase-Escalante National Monument.

Residency Program Alumni2026-02-02T19:31:54-08:00

2025 Alumni – Care & Stewardship

Josh Anderson (Hoople, ND)
Camila de Andrade Bianchi (Phoenix, AZ)
Beth Alvarado (Bend, OR)
Liza Birnbaum (Seattle, WA)
Margot Boyer-Dry (New York, NY)
Mallory Craig (The Bronx, NY)
Jazmyn Crosby (Philadelphia, PA)
Leah Crosby (Ypsilanti, MI)
Ben Erlandson (Sparta, NC)
Karen Edmonds (Eugene, OR)
Sylvia Friday (Alsea, OR)
Ebenezer Galluzzo (Portland, OR)
Barbara Holmes (Santa Ana, CA)
Andrew Paul Keiper (Baltimore, MD)
Scott Kildall (San Francisco, CA)
Ellie Kingsbury (Minneapolis, MN)
Roberta Lavadour (Pendleton, OR)
Min Liao (Staten Island, NY)
Allie McCathren (Houston, TX)
Mychelle Moritz (Portland, OR)
Hilary Pfeifer (Portland, OR)
Giuseppe Ribaudo (Portland, ME)
Latifah Saafir (Los Angeles, CA)
Kaitlin Santoro (Riverside, CT)
Krista Schoening (Little Rock, AR)
Ketzia Schoneberg (Portland, OR)
Jayne Struble (Wayne, PA)
Margaret-Mary Sulentic Dowell, PhD (New Orleans, LA)
Sean Whalen (Lawrence, KS)
Michelle Wilke (Cary, NC)
Shirod Younker (Portland, OR)

2024 Alumni – Transitions & Migrations

Ren Allathkani (Elk Grove, CA)
Kathleen Caprario  (Springfield, OR)
Kitana Connely (Portland, OR)
Dr. Jamie Cornelius (Corvallis, OR)
Esperanza Cortés (New York, NY)
Poppy Dully (Portland, OR)
Alfonso Fernandez (Baltimore, MD)
Sylvia Friday  (Alsea, OR)
Pato Hebert  (Los Angeles, CA)
M. Michelle Illuminato (Portland, OR)
Jen Karetnick (Miami, FL)
Jackleen de La Harpe (Portland, OR)
Dr. Gail Langellotto (Corvallis, OR)
Christie Lower (Halfway, OR)
Christina Martin (Portland, OR)
Minal Mistry (Portland, OR)
Mychelle Moritz (Portland, OR)
Arūnas Ošlapas (Bellingham, WA)
Katie Ošlapas (Bellingham, WA)
Lindsey Perez (Portland, OR)
Jennifer Rabin (Portland, OR)
Giuseppe Ribaudo (Portland, ME)
Eliot Spaulding (Santa Barbara, CA)
Michelle Swinehart (Ridgefield, WA)
Rosa Valladares (Sarasota, FL)
Dr. Natasha Varner  (Seattle, WA)
Megan Wiessner (Queens, NY)
Diane Wilson (Shafer, MN)

2023 Alumni – Food & Agriculture

Alexandria Nazar (Philadelphia, PA)
Catie Michel (Denver, CO)
Collin Bell (Syracuse, NY)
Derek Yost (Portland, OR)
Erin Cooper (Portland, OR)
Flora Carlile-Kovacs (Seattle, WA)
Laura Rubin (Bend, OR)
Lilith Rockett  (Portland, OR)
Michael Pribich (New York City, NY)
Sally Widgery Finch (Beaverton, OR)
Sandra Honda (Eugene, Oregon)
Tammy Jo Wilson (Oregon City, OR)
Evan Kassof (Philadelphia, PA)
M.D. Schaffer (New York City, NY)
Joe Wilkins (McMinnville, OR)
Nancy Matsumoto (New York City, NY)
Julian Saporiti and Emilia Halvorsen (Portland, OR)
Kaci Rae Christopher (Sisters, OR)
Kai Takada Misner (Detroit, MI)
Madelaine Corbin (Detroit, MI)
Milo Vella (Ithaca, NY)
Sarah Red-Laird (Ashland, OR)
Slinko (Mapplewood, NJ)

2022 Alumni – Coexistence & Regeneration

Kellie G. Hoyt (Minneapolis, MN)
David Paul Bayles (Philomath, OR)
Brenda Gratton (Madison, WI)
Rochelle Rose Schueler (Bend, OR)
Line Bergene (Norway)
Lynn Adamo (Bend, OR)
Ayla Gizlice (Raleigh, NC)
Alyssa Eckert (Goldendale, WA)
Adam Bateman (Ephraim, UT)
Hilary Pfeifer (Portland, OR)
Andrew Myers (Corvallis, OR)
Sarah Smiley (Los Angeles, CA)
Crystal Schenk (Portland, OR)
Michael Boonstra (Corvallis, OR)
Marie Thibeault (Long Beach, CA)
Lucy Maude Ellis (St. Louis, MO)
Lee Emma Running (Omaha, NE)
Selena Jones (Portland, OR)
Liza Birnbaum (Seattle, WA)
Sandra Honda (Eugene, OR)
Bradley Kik (Bellaire, MI)
Austen Camille Weymueller (Alvin, TX)
Julia Edith Rigby (California)
Peter Mackay Bradley (Juneau, AK)
Sneha Ganguly (New York, NY)
Nancy Helmsworth (Portland, OR)

2021 Alumni

Elissa Levy (New York, NY)
Poppy Dully (Portland, OR)
Christopher St. John (Eugene, OR)
Joesph Kowalcyzk (Oakland, CA)
Patricia Giraud (Portland, OR)
Shelby Davis (Portland, OR)
Alex Hirsch (Portland, OR)
Hirona Matsuda (Charleston, SC)
Kelda Martensen (Seattle, WA)
Leah Wilson (Eugene, OR)
Roger Peet (Portland, OR)
Erika Bolstad (Portland, OR)
Christina Rusnak (Portland, OR)
Jean Rohe (Brooklyn, NY)
Roberta Lavadour (Pendleton, OR)
Renee Couture (southern Oregon)

2019 Alumni

Annie Varnot (Brooklyn, NY)
Emily Weinstein (Berkeley, CA)
Diane Jacobs (Portland, OR)
Bean Gilsdorf (Portland, OR)
Fritz Liedtke (Hillsboro, OR)
Laura Lampton Scott (Portland, OR)
Donna Cooper Hurt (Charleston, SC)
Stan Peterson (Bend, OR)
Andy Meyers (Corvallis, OR)
Loo Bain (Portland, OR)
Arunas Oslapas (Bellingham, WA)
Jeanne Medina (Los Angeles, CA)
Darius Nabors (Joseph, MO)
Anna Iaggegio (Los Angeles, CA)

2018 Alumni

Dylan Beck (Portland, OR)
Michael Boonstra (Eugene, OR)
Laura Campbell (Sisters, OR)
Anne Greenwood (Portland, OR)
Harvey Hix (Laramie, WY)
Tessa Hulls (Port Townsend, WA)
Alan Tracy (Lincoln, RI)
Laura Winter (Portland, OR)
Katy Yoder (Sisters, OR)

Lecture Series Speakers